Weimar Surfaces: Urban Visual Culture in 1920s Germany (Weimar and Now: German Cultural Criticism)

Weimar Surfaces: Urban Visual Culture in 1920s Germany (Weimar and Now: German Cultural Criticism) Germany Of The S Offers A Stunning Moment In Modernity, A Time When Surface Values First Became Determinants Of Taste, Activity, And Occupation Modernity Was Still Modern, Spectacle Was Still Spectacular Janet Ward S Luminous Study Revisits Weimar Germany Via The Lens Of Metropolitan Visual Culture, Analyzing The Power That S Germany Holds For Today S Visual Codes Of Consumerism

Is a well-known author, some of his books are a fascination for readers like in the Weimar Surfaces: Urban Visual Culture in 1920s Germany (Weimar and Now: German Cultural Criticism) book, this is one of the most wanted Janet Ward author readers around the world.

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  • Paperback
  • 374 pages
  • Weimar Surfaces: Urban Visual Culture in 1920s Germany (Weimar and Now: German Cultural Criticism)
  • Janet Ward
  • English
  • 05 April 2019
  • 9780520222991

10 thoughts on “Weimar Surfaces: Urban Visual Culture in 1920s Germany (Weimar and Now: German Cultural Criticism)

  1. says:

    I am all of a quiver at the thought of reading this Three of my favourite things metropolis, Weimar Germany and cinema.

  2. says:

    Weimar Germany is, for the art historian, probably one of the most fruitful periods worth considering Germany, after its defeat in World War I, sloughed off its classicist Wilhelmine antecedents to a certain extent and artists and architects tried everything from futurism to designs so idiosyncratic that you have to make adjectival derivatives from the artist s name to even begin describing what they were up to Bruno Taut, for instance, in his book Alpine Architecture conceived of a city built of interlocking and freestanding glass pyramids to be nestled among the peaks and valleys of snow covered mountains I don t know what to call this style of architecture, except maybe Tautian sic Janet Ward s book does a good job of describing the various ways that artists created a half Utopian half nightmare landscape in post war Berlin, using neon, stone, and a lot of glass Special attention is given to advertisements of the era, and in the applied art of shop window dressing arrangement The latter might seem unworthy of such attention, but the art of window dressing was serious business in Germany and Europe in general, at the time with specialized schools and guilds flourishing in in the metropolises It is no accident that the man who for good or ill defined postmodern art better than anyone else, Andy Warhol, came from this background.Mx Ward also deserves credit for mustering the arguments of intellectuals who usually get short shrift when this subject comes up i.e Ernst Junger and Friedrich Nietzsche she also ably questions the premises and conclusions of such well known and rarely challenged men like Siegfried Kracauer and even Karl Marx Kracauer, for whatever reason, always seems to have a malicious streak when talking about the female s role in capitalism s growth, portraying everything from mannequins to chorus line girls as part of some insatiable vagina dentata trying to siphon all the wonderful socialism out of the world Dr Ward also does a good job resisting and repudiating the de rigeur temptation to show how every or any German cultural current here advertising and applied arts somehow fatalistically lead to the rise of the Nazis This is something the aforementioned Siegfried Kracauer in the so smart he s stupid camp Orwell delineated made into a book length study It is hard, though, to accuse admen of doing spadework for the Nazis when the undisputed master of ad propaganda Edward Bernays was the nephew of Sigmund Freud and descended from the line of one of the most famous rabbis in European Jewry Isaac Bernays.The book falters, though, when Mx Ward loses confidence in her own theories and conclusions, and allows Lacan, Baudrillard, and other fashionable nonsense peddlers to control center stage in a discourse where, frankly, I think her own observations outstrip theirs The grab bag of physics envy tricks used to gussy up the humanities are on full display, the pretentious and hollow mathemes and arbitrarily italicization and random use of parentheses, as well as hilarious word salad constructed from coincidental homophones or rhyming If you think that Marxist probings into the class system and architectural ruminations on glass systems are worth exploring, then man, has Mx Ward got a book for you here.I don t want to be too mean, but just to let the potential reader know what kind of party they re attending if they accept Janet Ward s invitation, here are some laugh out loud excerpts from the text I ve highlighted It is clear that this recontouring sic shift amounts to a both sweetening kitschification sic and an incipient eugenicization sic of the female form I think she s trying to say ads are trying to encourage women to have children, which is curious because androgyny and masculine traits were marketed to women during this period as aggressively or aggressively than the home and hearth sort of advertisements.Here s one last one, I promise rather, we need to reencounter sic the process of modernization in the West as one in which rationality and fashion have coincided interstitially sic in a condition of symbiotically fertile rapprochement If you re going to write like this, it had better be under severe pressure, while sleep deprived and trying to crank out a master s level academic paper abstract presumably on a dire subject worthy of acute attention, such as how carving pumpkins for Halloween is a phallocentric means of reinforcing hetero normative neoliberal assaults on indigenous methods of squash cultivation in order to establish hierarchical Western imperial non indigenous systems of white supremacy In other words, you might as well get some elbow macaroni, some glitter, a bottle of glue, and play with pasteboard and rack up 100,000 in student loan debt while doing it That said, this book has some features to recommend it, at least as many merits as demerits.

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