Poetry of Opposition and Revolution: Dryden to Wordsworth

Poetry of Opposition and Revolution: Dryden to WordsworthPoetry Of Opposition And Revolution Is An Important New Study Of The Relation Between Poetry And Politics In English Literature From Dryden To Wordsworth Building On His Argument In Poetry And The Realm Of Politics Shakespeare To Dryden, Howard Erskine Hill Reveals That The Major Tradition Of Political Allusion Is Not, As Has Often Been Argued, That Of The Political Allegory And Overtly Political Poems, But Rather A Shifting And Less Systematic Practice, Often Involving Equivocal Or Multiple Reference Drawing On The Revisionist Trend In Recent Historiography, The Book Offers New And Thought Provoking Readings Of Familiar Texts Dryden S Aeneid Version And Pope S Rape Of The Lock Are Shown To Belong Not Just To Contemporary Convention, But To A Widespread And Older Style Of Envisioning High Politics And The Crises Of Government The Early Books Of The Prelude Can Be Seen To Show Marked Political Features Reflections Of The Revolution Are Traced In The Rape Of The Lock And A Jacobite Emotion Is Identified In The Vanity Of Human Wishes Taking Issue With Recent New Historicist Romantic Criticism, The Concluding Chapters Argue That What Have Seemed To Many To Be Traces Of Covert Political Displacement Or Erasure In Wordsworth Are In Fact Marks Of A Continuing Political Preoccupation, Which Found New Forms After The Collapse Of An Enlightenment Programme Into The Jacobin Terror

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  • Hardcover
  • 288 pages
  • Poetry of Opposition and Revolution: Dryden to Wordsworth
  • Howard Erskine-Hill
  • English
  • 26 December 2019
  • 9780198121770

3 thoughts on “Poetry of Opposition and Revolution: Dryden to Wordsworth

  1. says:

    Carries on arguments made by Erskine Hill in other places The move to argue for a elusive form of allusion especially in the cases of Pope and Johnson seems like an elaborate ruse to have your cake and eat it too In other words, even the most tenuous links between politics and literature become grounds to build rather lofty edifices In the case of Pope, this straining takes the form of following the lead of Douglas Brooks Davies to argue that the young poet was not merely a prime example of emotional Jacobitism, but rather someone with much stronger political allegiances to the exiled Stuarts Some really thin readings the card game in The Rape of the Lock for instance yield direct identifications the king of spades is the Spanish king and so on that enable such moves, supposedly, but then the identifications are also claimed to be less specific than that a web of dense, subtle allusion which resists simple elucidation Which is it The material on Johnson revisits and rehearses arguments made by J C D Clark, Erskine Hill and others identifying Johnson as a non juring Jacobite As befits the fact that he seems the least shrill and most evidence based of this crew, Erskine Hill manages the most judicious and balanced of the many attempts at this argument and it is still not yet convincing Perhaps the best part of the book is the opening section on Dryden, where Erskine Hill s careful teasing out of nuance and limited claims has the biggest payoff in terms of explaining texts well The editing of the volume is pretty slipshod by Clarendon s standards basic misspellings Locke for lock, many times and typesetting errors abound.

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